For God, Race and Country

Title: For God, Race and Country

Photographer/s: Christopher Capozziello

Contributor/s: Loret Gnivecki Steinberg, Photo Editing.
James Maloney, Front and Back Montages.

Date of publication: April 2003

Place of publication: Rochester Institute of Technology

Dimensions: 8 3/4 x 9 1/2 inches

Edition size: 75

Type of binding: Hardcover, Black Cloth, Smythe Sewn Binding

Number of pages: 48

Number of pictures: 28

Type of printing: Digital Press

Publisher: Self Published

Language: English

Category: Artist Book

Price: $100 USD

Summary: Sometimes pictures are made that offer little understanding. Sometimes we walk away with questions that offer no answers. The more time I spend with Klansmen, Klanswomen, and their families, the more I find myself with the unanswered questions of why these specific people believe what they believe. Yet sometimes, in rare moments, someone in front of my lens begins to open up in ways that can give us a glimpse into answering these “Why” questions.

It is always because of something else. Something deeper. Something behind it all.

One summer night in 2002, after hours of interviewing, I turned off my tape recorder and stopped asking questions of David, a young member of the Klan. He lay on the hood of his car outside a trailer, and, looking up at the night sky, he explained to me that two black men murdered his mother in 1992, when he was only twelve years old. His voice was hard when he told me this, but not angry. She was a taxicab company owner, and they robbed her, getting away with only $17. I had just spent hours with him, asking him questions and I had come nowhere near this. It seemed David had a reason to turn to something so dark, yet it was a reason he could not even vocalize.

Earlier that same night, while explaining to me how the Klan justifies what they believe, David quoted John 3:16: “For God so loved the world, that he gave his only Son, that whoever believes in him should not perish but have eternal life.”

I told him about a friend who was Catholic, and an African-American man. I wanted to know if he would not be permitted eternal life based on that scripture. David paused a moment and said he had never thought about it that way before and that, based on the scripture, my friend would have eternal life.

A couple of months later, I received an email from David, and he said that, based on my questions and our conversations, he began to feel that the Klan had it wrong, and that he had decided to leave – all of this because of some questions.

Date and place of birth of photographer/s: May 12, 1980, Milford, CT, USA

Website: www.chriscappy.com or www.aevumphoto.com

Donated by: Christopher Capozziello

iPL Notes: Received at Review Santa Fe 2011.

Related books:

The Distance Between Us

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The Indie Photobook Library is TWO!

This past weekend, the Indie Photobook Library celebrated its 2nd Anniversary. Thank you to all the photographers/artists/bookmakers that have made the collection what it is today! I’d also like to thank Advisory Board members Darius Himes, Andy Adams, Shane Lavalette, and Gabe Reed and all the venues that have welcomed the iPL. In the last two years, the collection has grown to almost 1000 books. The iPL continues to promote and showcase the books in the collection through international pop-up and feature-length exhibitions, articles, conferences, guest lectures, and also preserves them as a non-circulating public library. Having a specific collection dedicated to this contemporary movement in publishing allows for the development of future discourse on trends in self-publishing, the ability to reflect on and compare books in the collection, and for scholarly research to be conducted years, decades, and centuries to come. I am looking forward to continuing the iPL mission.

Cheers,
Larissa Leclair
Founder, Indie Photobook Library

“…the Indie Photobook Library is fast becoming one of Washington’s more interesting small collections.” – Mark Jenkins, Washington Post Express, November 9, 2011

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Photographer/s: Oliver Ogden

Date of publication: December 2011

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Title: Dark, Dark Woods

Photographer/s: Michael Sargeant

Contributor/s: Featuring an extract from Leigh Gordon Giltner’s poem ‘In The Dark Forest’.

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Gazed Upon

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Photographer/s: Jen Davis
Stacey Tyrell
Cara Phillips

Contributor/s: Guest Curated by Amy Elkins
Essay by Sarah Palmer

Date of publication: April, 2012

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Photographer/s: Nina Ahn

Date of publication: February 2012

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Photographer/s: Jaeyou Kim

Date of publication: November 2011

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Photographer/s: Fergus Jordan

Contributor/s: Colin Darke

Date of publication: October 1st 2011

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Photographer/s: Pauline Magnenat

Contributor/s: Jason Lazarus (foreword)

Date of publication: 03 April 2012

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Title: Questions, mark the spot.

Photographer/s: Alex Hogan

Date of publication: December 2011

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Title: macro/space

Photographer/s: Clay Lipsky

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