Indie Photobook Library » Dirty Negative

Dirty Negative

Title: Dirty negative

Photographer/s: JEREMY JANSEN

Date of publication: NOVEMBER 2011

Place of publication: PARIS

Dimensions: A4

Edition size: 200

Type of binding: SOFT COVER, staples

Number of pages: 40

Type of paper: Cyclus offset

Number of pictures: 35

Type of printing: Risograph

Printer: Apres Midi Lab (Paris – France)

Publisher: Éditions FP&CF

Designer: Claire Schvartz

Editor: Maxime Milanesi + Claire Schvartz + Jeremy Jansen

Language: English

ISBN: 978-2-9536947-5-8

Category: zine

Price: 10 euros

Summary: Dirty Negative is a collection of photographs in the form of a 40 pages graphical exploration in black and white by Canadian artist, Jeremy Jansen.

Printed using a Risograph, these monochromatic pages allow the photographs to have a uniform consistancy , creating a unique atmospher to exist between the ink and staples.

This project was a year in reflection with the editorial line constantly evolving, standing round trips between the photographer and the editors.

In the end, Dirty Negative echos an understanding of a singular universe. With borders of the mystical and the obscure placing the photographs into an abyss of abstract dialog.

Date and place of birth of photographer/s: Canada, 1978

Website: http://www.editionsfpcf.com/

Book link: http://www.editionsfpcf.com/books/dirty-negative/

Donated by: Éditions FP&CF

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Published on January 7, 2012 11:48 am.
Filed under: Books Tags: Apres Midi Lab, Claire Schvartz, Editions FP&CF, Jeremy Jansen, Maxime Milanesi

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The Indie Photobook Library is TWO!

On May 13, 2012, the Indie Photobook Library celebrated its 2nd Anniversary. Thank you to all the photographers/artists/bookmakers that have made the collection what it is today! I’d also like to thank Advisory Board members Darius Himes, Andy Adams, Shane Lavalette, and Gabe Reed and all the venues that have welcomed the iPL. In the last two years, the collection has grown to almost 1000 books. The iPL continues to promote and showcase the books in the collection through international pop-up and feature-length exhibitions, articles, conferences, guest lectures, and also preserves them as a non-circulating public library. Having a specific collection dedicated to this contemporary movement in publishing allows for the development of future discourse on trends in self-publishing, the ability to reflect on and compare books in the collection, and for scholarly research to be conducted years, decades, and centuries to come. I am looking forward to continuing the iPL mission.

Cheers,
Larissa Leclair
Founder, Indie Photobook Library