The Father of Pop Dance

Title: The Father of Pop Dance

Photographer/s: Tiane Doan na Champassak

Contributor/s: Hester Keijser

Date of publication: July 2012

Place of publication: France

Dimensions: 17 x 21,50 cm

Edition size: 700

Type of binding: Spiral bound

Number of pages: 64

Type of paper: Hello Gloss

Number of pictures: 64

Type of printing: Offset

Publisher: self-published

Category: artist book

Price: 28€

Summary: The book is in effect a repro­duc­tion of a photo album that shows his father, who also went by the name of Tiane Doan na Cham­pas­sak, danc­ing in a photo stu­dio in Los Ange­les in 1967. Dur­ing the shoot, he changes into dif­fer­ent funky out­fits, but always wear­ing the same belt. There is no fur­ther story about the ori­gin, the how and the why of the photo series, nor do we know what music Tiane’s dad was danc­ing to, but we can imagine.

The album, which begins and ends with the Father of Pop Dance sit­ting in dif­fer­ent poses on front and back cover, has a delib­er­ated edit, with mul­ti­ple expo­sures at the begin­ning and end of the danc­ing sequences. Over time, the exist­ing sym­me­try has been enhanced nat­u­rally: humid stor­age con­di­tions caused the pages (all ana­log prints) to stick together in cer­tain spots. Open­ing the album after decades inevitably caused tears in the prints that look like snow, and add an extra visual layer sug­gest­ing movement.

Hester Keijser

Date and place of birth of photographer/s: 19/08/1973 Puyvert, France.

Website: www.champassak.com

Book link: http://www.champassak.com/en/page_4725.html

Donated by: Tiane Doan na Champassak

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Exhibition Catalog for “A Survey of Documentary Styles in Early 21st Century Photobooks”

More about the exhibition here, here and here.
Order the book here.
Thank you to Patrick Aguilar of Owl & Tiger Books who did such an outstanding job designing the iPL’s first exhibition catalog!

“…the Indie Photobook Library is fast becoming one of Washington’s more interesting small collections.” – Mark Jenkins, Washington Post Express, November 9, 2011

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