Still

Title: Still

Photographer/s: Patrick Hogan

Contributor/s: Essay ‘Disappearing Opacity’ by Colin Graham
Poem by Dermot Healy

Date of publication: Oct 2012

Place of publication: Tipperary, Ireland

Dimensions: 240 mm x 190 mm

Edition size: 500

Type of binding: Hardback with Cialux Material. Thread Bound

Number of pages: 96

Type of paper: Arctic Matt

Number of pictures: 71

Type of printing: 4 Color Offset

Printer: Nicholson & Bass

Publisher: Self-Published

Designer: Patrick Hogan

Editor: Patrick Hogan

Language: English (essay also available in German)

Category: Artist Book

Price: €30 (€45 signed)

Summary: ‘Still’ is presented as a personal and self-reflective work. The book was created and produced over two years in a remote part of rural Ireland where I lived. It offers a view of the people and spaces that were near to me during that time. It is a carefully edited series, with each photograph changing the visual meaning of this place and my relationship to it. It is a work about looking and trying to connect. Sometimes It is about being unable to do either. Within this complex arrangement of alienated moments and impulses, there is a story that wants to be told; a story about intimacy with a place and the failure of the photograph to ever truly represent this. But this is a work that I hope
transcends personal experience to also address broader, more expansive ideas about perception, memory, beauty, fragility, loss and love; themes that go beyond the individual and have relevance to everyone.

Date and place of birth of photographer/s: Born Ireland 1977

Website: www.patrickhogan.ie

Book link: http://www.patrickhogan.ie/otherhtml/still1.html

Donated by: Patrick Hogan

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Exhibition Catalog for “A Survey of Documentary Styles in Early 21st Century Photobooks”

More about the exhibition here, here and here.
Order the book here.
Thank you to Patrick Aguilar of Owl & Tiger Books who did such an outstanding job designing the iPL’s first exhibition catalog!

“…the Indie Photobook Library is fast becoming one of Washington’s more interesting small collections.” – Mark Jenkins, Washington Post Express, November 9, 2011

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