My Own Wilderness

Title: My Own Wilderness

Photographer/s: Agan Harahap, Alena Agadzhikova, Alena Lobanova,Andi Schreiber, Anne Holiday, Aubrey Hays, Babak Makoei, Bernard Mindich, Callum Ross, Chris Bentley, Chris Norris, Daniel George, Dead Porcupine, Denis Tarasov, Dmitry Popov, Eamon Mac Mahon, Ekaterina Deriglazova, Ekaterina Kozlova, Ellen Jantzen, Gwyn Michael, Herve Demers, Honey Salvadori, Ilya Octyabr, Irina Artemova, Irina Popova, Irina Suvorova, Irina Volgareva, Jamie House, Jon Goering, Katerina Bodrunova, Ksenia Yurkova, Laura Glabman, Liese Ricketts, M. Scott Brauer, Mark William Fernandes, Martin Buday, Patricia van de Camp, Rachel Barrett, Rachel Wolfe, Rita Nannini, Robert Rutoed, Valeriya Reshetnicova, Willson Cummer

Date of publication: 2012

Place of publication: USA

Dimensions: 8.5 X 10 inches

Edition size: Open

Type of binding: Hardcover

Number of pages: 154

Type of paper: Blurb Premium Lustre

Number of pictures: 69

Printer: Blurb

Publisher: Blurb

Designer: Christopher H Paquette

Editor: Christopher H Paquette

Language: English

Category: Exhibition Catalogue

Price: $52.95

Summary: My Own Wilderness is a celebration of the fifth anniversary of PHOTO/arts Magazine, and a platform to connect with readers in a new way. In a sense, this was my emergence from the wilderness that is the day-to-day habitat of the soloist blogger.

Themes related to modern concepts of wilderness are familiar to readers of PHOTO/arts Magazine. New Topographics and the cultural landscape, environmental art, and traditional landscape photography are all recurring subjects. While developing the concept for this international competition, I was close to embarking on my fifth trip to the Boundary Waters area of northern Minnesota. This annual journey takes me into the wild and secluded pristine lake region along the Minnesota/Canadian border, and involves three thousand miles of driving alone in the car – itself a form of wilderness. I was doing a lot of thinking about the differences and similarities between wilderness of place versus wilderness as a state of mind.

The call for work was worded as follows…

Wilderness has many meanings in this shrinking world we live in. The traditional definition is ‘an area of earth untrammeled by man, where man himself is a visitor who does not remain’. Where there once were immense regions on the planet that could be defined in this way, today there are fewer and fewer untrammeled places. But wilderness can also be more than a physical place. It can be a state of mind, a condition of loneliness, an economic or political status. It can exist within the most populated cities as a personal space created by the individual. How do you define wilderness?

I was looking for answers to the ways in which photographers interpret and sort through their own personal experiences with
both the physical and the theoretical forms of wilderness. How would these conceptions look as photographs?

Bio/s:

Agan Harahap
Agan Harahap is a full time artist.His works combine fantasy and reality, satire and the parody of human life. He has participated in a number of exhibitions in Southeast Asia, Korea, Japan, Portugal and Colombia.

Alena Agadzhikova
Alena Agadzhikova is from Moscow, Russia and is 18 years old, She is a student of Moscow State Pedagogical University, Department of Journalism. This year, Alena entered the School of Photography Rodchenko . She has previously participated in urban festivals and competitions related to photography.

Alena Lobanova
Alena Lobanova was born in 1988 in Berezniki, Russia and now resides in Perm, Russia.
Her motto is Be here now and you are everywhere with everyone.

Andi Schreiber
Andi Schreiber is a documentary artist based in Westchester County, New York, where she lives with her husband and sons. Her work captures subjects that make her heart beat faster. In 1988 she graduated from the University of Michigan with a BFA and spent time as a photojournalist in the Boston area before coming to New York City to work as a magazine and newspaper picture editor. Andi is founder of Eye Candy Editions, a bookmaking venture.

Anne Holiday
Anne Holiday is fond of whisky, a producer of films, and a writer of comics and other stories.
theenglishholidayclub.com

Aubrey Hays
Aubrey Hays was raised in Alaska, the Pacific Northwest, and a Navajo Reservation in rural Arizona – a varied array of settings that have contributed to her sensitivity to place and surroundings that is reflected in her work. She recently completed her MFA in Photography at Parsons The New School For Design, NYC. She has exhibited nationally. Aubrey received an Artist Residency in Iceland this past February, where she developed a body of work exploring a solo plane of isolation in the great North.

Babak Makoei
Babak Makoei was born on 26 August 1980 in Tehran, Iran and currently lives in Tehran. He has been working in a factory for over 13 years as an accountant. Babak is a self taught photographer.

Bernard Mindich
Bernard Mindich is a multimedia artist living and working in Goldens Bridge, NY. Since the mid 1980s, photography has been his dominant form of expression. Working almost exclusively in color, his imagery has evolved in extended thematic series, sometimes documentary in nature and frequently in an abstract or semi-abstract mode.

Callum Ross
Callum Ross is a photographic artist based in Australia. In 2010 he studied photography on exchange at Plymouth University, UK. He sees his work as being about the emotive signals within the landscape and finding a great sense of awareness.
callumross.net

Chris Bentley
Chris Bentley is a New York-based filmmaker and photographer. He is the director of two feature films, Awake and The Arcadian Ideal. His films have played in numerous festivals throughout the country, including festivals in Los Angeles, New York, Boston, San Francisco and Philadelphia. His photographs have appeared in multiple shows and are represented in a number of private collections.

Chris Norris
Chris Norris lives in Madison, Wisconsin. He is a founding member of the international photography group strange.rs and publishes a zine called stuck. He has won some regional acclaim and been published here and there. He has a day job that he enjoys.

Daniel George
Daniel George is a Savannah, GA based artist and educator. He graduated in 2011 with an MFA in photography from Savannah College of Art and Design and was the recipient of the departmental Outstanding Achievement Award. He has exhibited work in galleries across the United States. Recently, his body of work, Natural Selection, was featured in Fraction Magazine Issue 26. Daniel currently teaches photography part-time at Savannah Country Day School.

Dead Porcupine
Photography, for us, is sharing a vision, express ourselves not only as photographers but primarily as individuals. To show our reactions to the subjects which capture our attention, with care and honesty, in a slow and contemplative process.Together with telling a story, photographs sometimes have the power to evoke feelings, trigger deep sensations, convey moods and atmospheres which get different to every viewer. Beauty is in the eye of the beholder.We like photography to give us a breathing space.Dead Porcupine is a friend of everyone who loves the process of taking pictures and talk about them.

Denis Tarasov
Was born in 1971 in Yekaterinburg, Russia and lives in Yekaterinburg
The winner of Russian and international competitions in photography, he has participated in exhibitions in Moscow, St. Petersburg, Ekaterinburg, Nizhni Novgorod, Novosibirsk (Russia), Turin (Italy), San Jose (USA)

Dmitry Popov
Dmitry Popov was born in 1988 in Leningrad, USSR.Graduate from Saint Petersburg State University (Geology department).He now lives in St.Petersburg. He has participated in many exhibitions throughout Russia.

Eamon Mac Mahon
Work by Toronto-based photographer/videographer Eamon Mac Mahon has appeared in various publications including the Walrus, National Geographic, W and New York Magazine, as well as exhibition spaces such as The Power Plant, The Detroit Institute of the Arts, the Griffin Museum of Photography in Boston and Higher Pictures NYC.
Mac Mahon also spends much of his time creating video projections for stage productions, short films and documentaries.

Ekaterina Deriglazova
My name is Kate Deriglazova, I live in Moscow, Russia. Very soon I will be 30 years old. Graduated from the Faculty of Journalism. I work as a freelance photographer and designer. Redhead, with dreadlocks, vegetarian, hippie, married, with children. I travel the country and looking attentively at the people. I see the biggest wilderness is within.

Ekaterina Kozlova
I am not a professional photographer I just like nature and travelling. And in the places where human footprints cannot be found at all, I manage to take nice pictures. I only pity that pictures cannot reflect the mood of nature in full.At the moment I study at the State University, Arts department and I often try to depict beautiful moments by means of drawing and painting but not photographing.

Ellen Jantzen
Ellen Jantzen was born and raised in St. Louis, Missouri. She initially obtained a degree in graphic arts; later emphasizing fine art and photography.She spent two years at Fashion Institute of Design and Merchandising in Los Angeles where she obtained her advanced degree in 1992.Ellen views digital technology as a true confluence of technical advancements and creative desire that culminate in her current explorations in photo inspired art using both a camera to capture staged assemblages and a computer to alter and manipulate the pieces. Ellen has been creating works that bridge the world of prints, photography and collage.

Gwyn Michael
Gwyn Michael is an artist, illustrator, and photographer working full time from her home studio in Worcester, PA. Her current passion is for digital collage and exploring the landscape, both natural, and as affected by humans. The work is composed of many layers, and textures to create images that enliven all the senses.

Hervé Demers
Hervé Demers is a photographer and a filmmaker living in Montreal, Canada. His first short films were selected by over 60 international festivals, garnering honours such as the Tamashii (“Soul”) Award at the CON-CAN Movie Festival in Japan and the award for best emerging filmmaker at the 61st Yorkton Short Film & Video Festival in Canada. He is currently working on his first photo series titled Early Suns.
hervedemers.com

Honey Salvadori
I’ve lived several different lives through my camera. My commercial career began in the late eighties when I photographed rock bands on the road for UK music magazines.During the nineties I moved from music photography to portrait and features work for diverse UK and European magazines..I also spent more than a decade working as a portrait photographer for the UK television channels. Some of my TV and music portraits are now in the National Portrait Gallery collection.In my current life I am a Lecturer in photojournalism at Leeds Metropolitan University.

Ilya Octyabr
Ilya Octyabr, whose first solo exhibition was held in 2009, can now be counted among the most prominent young members of modern Russian abstract art. Born September 4, 1987, in Novoaltajsk, the Altai Territory. In 2004, he entered the Institute of Architecture and Design with a specialty in Graphic Design. His work has been exhibited throughout Russia.
cargocollective.com/octyabr

Irina Artemovа
Irina Artemova was born in 1981 in Kstovo, Russia. She is an artist, photographer, and designer

Irina Popova
Was born in 1986 in Tver, Russia. Graduated from Journalism Faculty, Tver State University, Russia. Started to work as a writing journalist at the age of 16 in the local newspapers and magazines and made photos for her articles. She has been widely published and exhibited throughout Russia since 2007, and most recently was an artist in residence at the Rijksakademie, Amsterdam.

Irina Suvorova
An amateur , I am carried away by photography. I was born in St. Petersburg, Russia, I studied history of art in Russia and in France. More often I photograph during travels; I am sure, we must photograph only the things that have touched us personally.

Irina Volgareva
Irina Volgareva is a 25 year old photographer who resides in the Ukraine . She received her education at Perm State University and was the second place winner of the All-Russian contest of photographs Europe through the eyes of young Russians.

Jamie House
Jamie House is an internationally exhibiting artist, Camera Obscura builder and educator. He graduated from University of the Creative Arts England with a BA (Hons) in Photomedia (2004) and successfully completed his PGCE in post compulsory education in 2010 at the University of Plymouth.Jamie’s work explores how we look at the world through representation by critically analysing the medium and apparatus of photography.

Jon Goering
Photojournalist Jon Goering is a documentary photographer currently living in Birmingham, Alabama. He studied journalism and French at the University of Kansas.

Katerina Bodrunova
Katerina is 26 year old, self-educated photographer, currently lives in Moscow.
She was exhibited for the first time in a group show in 2010. Shortly after that she had several solo shows in Moscow. In March 2011 she was part of Art Paris 2011, as a winner of the Saatchi Gallery competition. Katerina was awarded three Golds and one Silver in The “Prix de la Photographie Paris” (Px3) 2011.

Ksenia Yurkova
Ksenia Yurkova works primarily in the genre of street photography, using traditional black & white techniques. Recent exhibitions include Japertura (2011) and Colour of Time (2011), both held in St. Petersburg, Russia.

Laura Glabman
Laura Glabman is a fine art photographer, who has been living and working on Long Island for most of her entire life. Recently she has been attending classes at the International Center of Photography and the Exhibition Lab. Her photographs have been used on the sets of several movies including: Surrogates, The Women, and Twenty-Seven Dresses. She is a workshop facilitator and media relations person for The Long Island Center of Photography and volunteers for the New York Photo Festival every year.

Liese A Ricketts
I am a photographer and educator in Chicago. I have taught photography for thirty years.
Much of my life has been spent in Peru, South America, and a good deal of my work in recent years has been produced there as well. I am Latin American on my father’s side, and am very identified with my roots.I am a mother, wife, daughter, and grandmother. I am passionate about making and taking images.

M. Scott Brauer
M. Scott Brauer was born 1982, in Landstuhl, Germany, to American parents. He grew up in various locations in the US, but Montana is home. Currently based in Boston, Massachusetts. Brauer graduated with honors from the University of Washington with dual degrees in philosophy and Russian literature and language in 2005. He is represented by Invision Images, Aurora Select, and On Asia.

Mark William Fernandes
Mark William Fernandes recently completed his MFA at Parsons the New School for Design and currently lives and works in Munich.Recent exhibitions include a two person show in NY (PS122, June 2010) and 2001-2011- A Decade of Insanity : Photography After 9/11, curated by Ruben Natal San Miguel. Recent prizes and awards include the winner of the New York Photo Awards (2009) and the 2nd place at the Camera Club of NY Annual Juried Show (2009), as well as the 1st prize in the PDN Photo Annual (2010).

Martin Buday
I am a freelance photographer living in Denver, CO. I was born in 1976 in Doylestown, PA and have received a MFA from the Savannah College of Art and Design in 2003.

Patricia van de Camp
Patricia van de Camp (b.1969) grew up in Utrecht, Netherlands. Her parents took her to the magic of photography. She studied social legal services followed by a study at the Gerrit Rietveld Academy and the Academy of Art in Kolding Königliche Dänisch. In 2007 she was asked to participate in an exhibition. This gave her the key to fully focus on her passion, art photography. Since 2008, Patricia is solely concerned with photography and art. She follows master classes with Tessa Posthuma de Boer in Amsterdam.

Rachel Barrett
Rachel Barrett (b. 1981, Cambridge MA) received her BFA in Photography and
Imaging from New York University (2003) and MFA in Photography, Video & Related
Media from the School of Visual Arts (2008). A 2010 Tierney Fellow, her first monograph entitled Bolinas will be released in May 2012. An adjunct Professor of Photography she is represented by Jennifer Schwartz in Atlanta, Gallery Stock in NY and London and is a studio artist at The Invisible Dog Art Center in Brooklyn, NY where she lives.

Rachel Wolfe
Rachel grew up in the woods of the rural Midwest, adopting a deep love for nature and art. She graduated with a Bachelor of Art in 2006 and moved to Chicago. During the several years in the city, Rachel explored and developed her photography and methodology. She sees art mediums as meditative and productive opportunities to communicate the poetic nature of experience-for practicality, pleasure and healing. Rachel currently resides outside of a village near the Illinois/Wisconsin border.

Rita Nannini
Rita Nannini began photographing during her senior year at Georgetown University when she enrolled in a course at the Corcoran School of Art in Washington D.C. She moved to Manhattan several years later to pursue a career in commercial photography specializing in environmental portraits and documentary photography. Her work has been published and exhibited throughout the world. She has received grants from The Geraldine R. Dodge Foundation and The National Endowment for the Humanities.

Robert Rutoed
Robert Rutoed, born in Vienna, lives in Austria. Photographer and filmmaker. Made numerous short feature films with screenings worldwide. Early paintings and photographic work are in private collections. Regular exhibitions in the US and Europe. His published books include Less Is More (2009), Grayscales:Early B&W Photographs (2010), Right Time Right Place (2011).

Valeriya Reshetnicova
I am Valeriya Reshetnicova. I was born in 1989 in Moldova, but now I live in Russia.I began to photograph in my childhood, at age of fifteen, when I received my first camera. Then this passion changed to something more serious and filled my life. When someone asks me to tell them about myself, I don`t know what to say because all my soul and all my life are in my photos.

Willson Cummer
Willson Cummer is a fine-art photographer and teacher who lives near Syracuse, NY. Images from his projects have been included in national juried exhibitions and local solo exhibits.

Website: photoartsmagazine.com

Book link: http://www.blurb.com/my/book/detail/2926222

Donated by: Christopher H Paquette

Related books:

Less Is More
Parking Garages
Problemata physica One
Welcome to LTP
Iconic Drawings

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iPL moves to Yale

iPL Yale

The Beinecke Rare Book & Manuscript Library at Yale University recently received, through acquisition and donation, the Indie Photobook Library (iPL), a major collection of photobooks from Larissa Leclair ’03 M.A. The collection includes more than 2,000 photobooks from around the world along with related ephemera, archives of the iPL’s history, and Leclair’s personal collection related to self-publishing.

“We were delighted to work with Larissa to acquire this major archive,” says George Miles, Curator of the Yale Collection of Western Americana at the Beinecke. “These volumes build on an already great strength of the library and will surely be used extensively by scholars and students at Yale and beyond for a long time.”

The iPL focuses on self-published photobooks, imprints independently published and distributed, photography exhibition catalogs, print-on-demand photobooks, artists’ books, zines, photobooks printed on newsprint, limited edition photobooks, non-English language photography books, and more.

“This collection reflects a contemporary movement in publishing,” explains Leclair, who began collecting independently produced photobooks in May 2010, “and it allows for the development of future discourse on trends in self-publishing, the ability to reflect on and compare books in the collection, and for scholarly research to be conducted years, decades, and centuries to come. To have this work now at Yale ensures this legacy.”
Inspired by Wexler’s master class

The catalyst for her collection, Leclair notes, was Yale professor Laura Wexler’s “Photo Memory Workshop” master class at the Beinecke, which focused on Peter Palmquist’s Women in Photography Archive. “He had and his collection will continue to have a big impact on the history of photography specifically relating to women in photography,” said the alumna. “He was one individual collecting independently of an institution, making an impact and shaping history. What he had encapsulated for his collection was what I wanted to do for self-published photobooks.”

“As early as 2005, with photographers Stephen Gill, Rob Hornstra, Jason Fulford, and Alec Soth independently publishing amazing photobooks, there wasn’t a platform for the presentation of self-published titles. So the idea of wishing for a central place to look at self-published photobooks was in my head on the day I saw Peter Palmquist’s collection,” notes Leclair.

The moment spurred her own specific collecting, she says: “I was blown away that a single individual could follow his passion, create a collection, and in the process have an impact on the history of photography. I was not only interested in promoting these kinds of books but most importantly I was very interested in creating an archive for the long-term. So two weeks after that master class, with an idea, one book, and a Facebook page, I founded the indie Photobook Library, a browse-able archive for self-published photobooks.”

For Leclair, placing the iPL at the Beinecke fulfills an aspiration she had from the very beginning. “I always intended that the iPL would one day transfer to an established archive. I wanted it to be preserved and accessible to future photo-bibliophiles long after my lifetime. For the legacy of the photographers and photobooks that collectively make the iPL what it is, I am absolutely thrilled that these artists will be part of the Beinecke’s collecting history.”

[Yale Professor Laura Wexler presented the Larissa Leclair with the 9th Annual Focus Awards' Spotlight Award for far reaching impact in the field of photography, October 2014. (Copyright Griffin Museum of Photography)]

Yale Professor Laura Wexler presented the Larissa Leclair with the 9th Annual Focus Awards’ Spotlight Award for far reaching impact in the field of photography, October 2014. (Copyright Griffin Museum of Photography)
The Beinecke has an renowned collection of 19th century American photographically illustrated books, including such classics as Alexander Gardner’s “Photographic Sketch Book of the Civil War,” A.J. Russell’s “Great West Illustrated,” Josiah Whitney & Carleton Watkins’ “The Yosemite Book,” and Ferdinand Hayden’s “Sun Pictures of Rocky Mountain Scenery,” as well as dozens of other, less well-known examples of the genre.

In the 1920s and 1930s photobooks continued to be a form of artistic expression but also emerged as a major vehicle of social commentary and criticism. The Beinecke holds first editions of such artistic works as Ansel Adams’ “Parmelian Prints of the High Sierra” and Taos Pueblo,” Walker Evans’s “American Photographs,” and Paul Strand’s “Paul Strand.” The Beinecke also boasts a wide range of such politically charged books as Julia Peterkin and Doris Ulman’s collaboration, “Roll Jordan Roll”; James Agee and Walker Evans’ “Let Us Now Praise Famous Men” and “Many are Called”; and Evans’s collaboration with Carleton Beals “The Crime of Cuba.” Yale’s library also holds first editions of all the important Farm Security Administration related books featuring work by Dorothea Lange and Margaret Bourke-White among other photographers.

“Robert Franks’ ‘The Americans’ is often seen as ushering in a new kind of photobook,” Miles observes. “We at the Beinecke have both the French (1958) and American (1959) first editions, as well as a complete collection of every book in which Lee Friedlander has ever published a photograph, while the acquisition of Peter Palmquist’s collection of women photographers brought more than 2,200 photobooks by and about women photographers.”

The iPL is particularly interesting in its own right, according to Miles. “While photobooks became more economical with the emergence of photo mechanical reproduction in the 19th century, they still required considerable investment and with the exception of a few very high-end artistic productions, they were commercial ventures that relied on publishers to underwrite production in the hope/expectation of profitable sales.”

However, the early 21st century emergence of digital photography and ink-jet printing dramatically changed the landscape for photographers looking to present their work in book-form. “Photographers can now self-publish their work in ways unimaginable 15 to 20 years ago,” he emphasizes. “They can distribute them through their websites and book fairs. This has allowed photographers to experiment in content and in form: to share images that commercial publishers might have been reluctant to take on, or to play with sequencing and/or narrative strategies.”

Leclair recognized the potential of this transformation when it was in its infancy and cultivated relationships with photographers. She has been a leader in creating this independent archive and identifying artists important to the contemporary movement in self-publishing, all while curating exhibitions and lecturing throughout the United States and in Canada, Guatemala, Mexico, Australia, the Philippines, and China. The alumna has built an “extraordinarily complete” collection of these books, according to Miles. “The staff at Haas Arts Library and I have been following and collecting photobooks, and when Larissa first approached us, I thought we would have at least half, if not more, of the books in her collection. I was way off. Our searching revealed that we had only around 10% of the collection.”

“Larissa started collecting this material at a critical time, when photographers started to reconsider and experiment with the printed book format through self-publishing,” notes Heather Gendron, director of the Robert B. Haas Family Arts Library at Yale. “A lot of these publications fall outside of typical library acquisition streams, making it a real challenge for librarians to keep up. That’s what makes this Indie Photobook Library so special. On the heels of the reopening of the Beinecke, this broadens the university’s holdings in a very contemporary way.”
“Essential records of human expression”

Miles says that the Beinecke’s growing collection of photobooks, including this new acquisition, complement important creative work across campus collections, such as the Arts Library and galleries, and the curriculum. “These materials in the Indie Photobook Library/Larissa Leclair Collection are essential records of human expression,” he notes, “and the Beinecke works to make sure they are accessible and used by students and scholars through our reading room, classroom visits, and our fellowship programs for graduate students and for visiting postdoctoral scholars.”

Barbara Tannenbaum, curator of photography at the Cleveland Museum of Art has described the Indie Photobook Library as “an indispensable resource for anyone interested in the contemporary photobook.”

The iPL also complements other collections at Yale, Miles adds. “One of the great strengths of the Yale Collection of American Literature are the many examples of poetry and short stories published by small, non-commercial presses throughout the country — ‘Little magazines’ as Pat Willis and Nancy Kuhl call them. They reflect the ways in which American writers have found to share their work. The photobooks in the iPL reflect a similar pattern in the visual arts and scholars will be able to explore and discover how these materials speak to each other and speak to the broader culture.”

Leclair says that the iPL inspired the creation of other independent photobook archives, including the Asia-Pacific Photobook Archive; influenced museum photobook exhibitions; and spawned the promotion and celebration of self-published photobooks. “I’m thrilled that the photographers in the iPL who challenged and subsequently shaped the current publishing industry will add to the continuum of printed expression at Yale along with cuneiform tablets, the Gutenberg Bible, Fox Talbot’s ‘Pencil of Nature,’ and works by Robert Frank and Ed Ruscha — adding to that Soth, Fulford, Fujii, de Middel, Galjaard, Cartegena, and Sancari, among many others,” she says.

With the iPL now part of the Beinecke collections, Leclair will promote its use with the library’s curators and collaborate on curriculum. The entity of the iPL is closed to submissions now, existing as a unique look at self-publishing from around 2008 to 2016. Leclair will continue to look at new titles and work directly with museums and libraries to collect self-published titles from around the world, directly connecting collectors and makers and shaping photobook history.

“Ahead of her time, Larissa’s farsighted vision will benefit future generations of photographers and scholars to come,” states Elizabeth Avedon, independent curator and photobook designer.

For more information on the Beinecke Library, visit: http://beinecke.library.yale.edu

Exhibition Catalog for “A Survey of Documentary Styles in Early 21st Century Photobooks”

More about the exhibition here, here and here.
Order the book here.
Thank you to Patrick Aguilar of Owl & Tiger Books who did such an outstanding job designing the iPL’s first exhibition catalog!

“…the Indie Photobook Library is fast becoming one of Washington’s more interesting small collections.” – Mark Jenkins, Washington Post Express, November 9, 2011

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