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“A Survey of Documentary Styles” exhibition at Duke University

iPL at Duke

“A Survey of Documentary Styles in Early 21st Century Photobooks”
Duke University
Power Plant Gallery
Power Plant Building, Suite 100 American Tobacco Campus
320 Blackwell Street Durham, NC 27701
Phone: 919-660-3622

September 19–November 7, 2014
Reception: October 9, 2014, 5–8pm, with Larissa Leclair of the Indie Photobook Library

The Indie Photobook Library’s seminal traveling exhibition, curated by Larissa Leclair and Darius Himes, arrives at Duke, after stops in New York, San Francisco and DC. “A Survey of Documentary Styles in early 21st century Photobooks” draws from the iPL collection and features 70 photobooks. The exhibition looks at the “documentary tradition” through the lens of a 21st century, global photographic community in which the lines between journalism, art and the long-term documentary project have blurred, morphed and continue to feed off of each other. The books selected for this exhibition present a range of subject matter, each coupled with a particular visual language drawn from a pool of diversity. There are books that speak a more traditional documentary language, while there are those that explicitly critique that very same tradition; there are diaristic books and titles that overlay a typological structure; other books rely primarily on found and vernacular imagery; and there are many books that borrow heavily from an art-photography storehouse. The goal of this exhibition is to survey the field before us and to foreground questions of authorship, voice, style and content.

The exhibition catalog, designed by Patrick Aguilar of Owl & Tiger Books, is available through Blurb.

A Survey of Documentary Styles in Early 21st Century Photobooks:

Estaría Bien Poner un Título Aquí, Alba Yruela
Ohio, Alec Soth and Brad Zellar
Uncommon Intimacy, Amy Stein, Amy Touchette, Erica McDonald, Juliana Beasley
The Kaddu Wasswa Archive, Andrea Stultiens and Arthur Kisitu
Woman With a Camera (35mm), Anne Collier
Odo Yakuza Tokyo (second edition), Anton Kusters
Hose Variations, Bjarne Bare
BURN.01
Memory Traces, Cary Markerink
The Distance Between Us, Christopher Capozziello
Concresco, David Galjaard
27 Good-byes, Deanna Dikeman
574 Views of Johnstown, Ed Panar
Road Ends in Water, Eliot Dudik
French American Trip, Eric Tabuchi
This is Not My Wife, Erik van der Weijde
How Terry Likes His Coffee, Florian van Roekel
Sadkids Number 5: Gonerfest Edition, Geoffrey Ellis
No Destiny (Transitions-Rochester), Gregory Halpern
A Falling Horizon, Heidi de Gier
Butte, America: A Vernacular History. Vol. 1, Ian van Coller
10, in-public
Cityscapes + Birdmen, Jacquie Maria Wessels
Unmarked Sites, Jessica Auer
My Brother’s War, Jessica Hines
Found Piles & Other Topograhica, John Steck Jr.
Last Call, Judith Stenneken
CENSURA, Julián Barón
The Color of Hay, Kathleen Laraia McLaughlin
offSET, Lacey Terrell
The Ninety-Nine Percent, Mathieu Asselin
Desert Days, Matt Austin
Carry Me Ohio, Matt Eich
Ramadan in Yemen, Max Pam
See You Soon, Maxwell Anderson
A Journal of Southern History, McNair Evans
Summer Weather, Michael Jang
No Man’s Land, Mishka Henner
Geolocation, Nate Larson & Marni Shindelman
The Pier, Nils Petter Löfstedt
Gone Quickly, Noah Beil
Visitor, Ofer Wolberger
There is Nothing Beautiful Around Here, Paccarik Orue
Donovan Wylie One Day Taking Photographs in Belfast, Peter Mann
Muddy Treads, Peter Sutherland
Grassland, Phil Underdown
The Constant Change, photo.circle
Firework Studies, Pierre Le Hors
Preston Bus Station, Preston is My Paris
Crime Victims Chronicle, Ray Meeks and Deborah Luster
Stay Cool, RJ Shaughnessy
Alpine Star, Ron Jude
Thrashers, Sacha Maric
May the Road Rise to Meet You, Sara Macel
9/11 Flipbook, Scott Blake
Owner of this World, Shawn Records
The Election Project, Simon Roberts
Hackney Wick, Stephen Gill
Vedove / Widows, Takashi Homma
Cathedral Cars, Thomas Mailaender
Looters, Tiane Doan na Champassak
Behind the Curtains, Tomas van Houtryve
Gomorroh Girl (second edition), Valerio Spada
Qaammaqqivaar, Verena Bruening
Empty Bottles, WassinkLundgren
Tokyo Tokyo, WassinkLudgren
Parking Garages, Willson Cummer
Kitintale, Yann Gross
Before Tomorrow, Yannik Willing
The Story of Four Generations, Yee Ling Tang

“A Survey of Documentary Styles in Early 21st Century Photobooks” from the Indie Photobook Library, curated by Larissa Leclair and Darius Himes, is part of the exhibition “Picture Books”, the juried exhibition of self-published and handmade photography books at Duke University. “A Survey” has been paired down to include just the 70 photobooks and does not include the photographs from the original Gallery Carte Blanche exhibition.

Juried Photobooks:

A Train, Brad Farwell
All the Presidents Men, Rebecca Sittler
Astoria-Megler Bridge, Wil van Iersel
Belle Morte, Maureen O’Leary
Collier Classification System of Very Small Objects, Brian Collier
Darkwood, Chris Bennett
Days at Home, Wolfgang Hastert
Easy on the Eyes, Jeanette May
F9, Ian F.B. Dunn, Monica Dameron, Nick Pironio, Miller Taylor, Georgia Ponton
False Starts, Karen Voltz
Great Wall, Yuanliang Sun
House of Sound, Chris Bennett
Late Autumn Fragments, Aaron Canipe
Mississippi, Trey Hardin
Moonsoot, Alex Cunningham
Native Ground, Rob McDonald
Oculus Song, Marianne Dages
Overdue, Joan Oh
Parts of a Whole, Hsiang-Lu Meng
Postscript, Rachel Boillot
Revolutionary, Tyler McPhee
Rural Life, American Guide
Seeking the Source, Bryon Darby
Southern Route, Tamara Reynolds
Supermoon, Adam Forrester
Sutton Law, Kristina Baker
Swell, Julianna Foster
Tesseract, Sebastian Collett
Testify, Roger May
Textures San Miguel, Kristine Deninno
The Battle of Monmouth, Hannah Smith-Allen
The Ground, Tate Shaw
This is a Pornographic Picture, Brad Farwell
Transculture, Yuanliang SUn
Who the F#ck is Carla, Wil van Iersel
Windows, Emily Volles
Work, Rick Febre

I’M HERE: a two-part tribute to my mother

I'm Here © Matt Austin

Title: I’M HERE: a two-part tribute to my mother

Photographer/s: Matt Austin

Contributor/s: Matt Austin

Date of publication: December 26, 2013

Luminous Flux

Luminous Flux © Todd Diederich / The Perch

Title: Luminous Flux

Photographer/s: Todd Diederich

Contributor/s: Todd Diederich, Matt Austin, Walker Blackwell

Date of publication: April 2013

The Indie Photobook Library at PHOTOVILLE, September 19-29, 2013

nighttime

The Indie Photobook Library @ PHOTOVILLE

September 19-29, 2013

Brooklyn Bridge Park, The Uplands of Pier 5, New York

On Saturday, September 21 from 2-5pm, founder of the iPL, Larissa Leclair, will be in the exhibition space. Please come by and say hi!

The Indie Photobook Library’s seminal traveling exhibition, curated by Larissa Leclair and Darius Himes, arrives in New York, after stops in San Francisco and DC. “A Survey of Documentary Styles in early 21st century Photobooks” draws from the iPL collection and features 70 photobooks, along with a selection of photographs from the books. The exhibition looks at the “documentary tradition” through the lens of a 21st century, global photographic community in which the lines between journalism, art and the long-term documentary project have blurred, morphed and continue to feed off of each other.

The books selected for this exhibition present a range of subject matter, each coupled with a particular visual language drawn from a pool of diversity. There are books that speak a more traditional documentary language, while there are those that explicitly critique that very same tradition; there are diaristic books and titles that overlay a typological structure; other books rely primarily on found and vernacular imagery; and there are many books that borrow heavily from an art-photography storehouse. The goal of this exhibition is to survey the field before us and to foreground questions of authorship, voice, style and content.

Photobooks by:

Alba Yruela, Alec Soth and Brad Zellar, Amy Stein, Amy Touchette, Erica McDonald, Juliana Beasley, Andrea Stultiens and Arthur Kisitu, Anne Collier, Anton Kusters, Bjarne Bare, BURN, Cary Markerink, Christopher Capozziello, David Galjaard, Deanna Dikeman, Ed Panar, Eliot Dudik, Eric Tabuchi, Erik van der Weijde, Florian van Roekel, Geoffrey Ellis, Gregory Halpern, Heidi de Gier, Ian van Coller, in-public, Jacquie Maria Wessels, Jessica Auer, Jessica Hines, John Steck Jr., Judith Stenneken, Julián Barón, Kathleen Laraia McLaughlin, Lacey Terrell, Mathieu Asselin, Matt Austin, Matt Eich, Max Pam, Maxwell Anderson, McNair Evans, Michael Jang, Mishka Henner, Nate Larson & Marni Shindelman, Nils Petter Löfstedt, Noah Beil, Ofer Wolberger, Paccarik Orue, Peter Mann, Peter Sutherland, Phil Underdown, photo.circle, Pierre Le Hors, Preston is My Paris, Ray Meeks and Deborah Luster, RJ Shaughnessy, Ron Jude, Sacha Maric, Sara Macel, Scott Blake, Shawn Records, Simon Roberts, Stephen Gill, Takashi Homma, Thomas Mailaender, Tiane Doan na Champassak, Tomas van Houtryve, Valerio Spada, Verena Bruening, WassinkLundgren, Willson Cummer, Yann Gross, Yannik Willing, Yee Ling Tang

Prints by:

McNair Evans, Erica McDonald, Matt Eich, Michael Jang, Lacey Terrell, and Eliot Dudik, as selected by Gwen Lafage.

The exhibition catalog, designed by Patrick Aguilar of Owl & Tiger Books, is available through Blurb.

T H E   B O O K S :

Estaría Bien Poner un Título Aquí, Alba Yruela

Ohio, Alec Soth and Brad Zellar

Uncommon Intimacy, Amy Stein, Amy Touchette, Erica McDonald, Juliana Beasley

The Kaddu Wasswa Archive, Andrea Stultiens and Arthur Kisitu

Woman With a Camera (35mm), Anne Collier

Odo Yakuza Tokyo (second edition), Anton Kusters

Hose Variations, Bjarne Bare

BURN.01

Memory Traces, Cary Markerink

The Distance Between Us, Christopher Capozziello

Concresco, David Galjaard

27 Good-byes, Deanna Dikeman

574 Views of Johnstown, Ed Panar

Road Ends in Water, Eliot Dudik

French American Trip, Eric Tabuchi

This is Not My Wife, Erik van der Weijde

How Terry Likes His Coffee, Florian van Roekel

Sadkids Number 5: Gonerfest Edition, Geoffrey Ellis

No Destiny (Transitions-Rochester), Gregory Halpern

A Falling Horizon, Heidi de Gier

Butte, America: A Vernacular History. Vol. 1, Ian van Coller

10, in-public

Cityscapes + Birdmen, Jacquie Maria Wessels

Unmarked Sites, Jessica Auer

My Brother’s War, Jessica Hines

Found Piles & Other Topograhica, John Steck Jr.

Last Call, Judith Stenneken

CENSURA, Julián Barón

The Color of Hay, Kathleen Laraia McLaughlin

offSET, Lacey Terrell

The Ninety-Nine Percent, Mathieu Asselin

Desert Days, Matt Austin

Carry Me Ohio, Matt Eich

Ramadan in Yemen, Max Pam

See You Soon, Maxwell Anderson

A Journal of Southern History, McNair Evans

Summer Weather, Michael Jang

No Man’s Land, Mishka Henner

Geolocation, Nate Larson & Marni Shindelman

The Pier, Nils Petter Löfstedt

Gone Quickly, Noah Beil

Visitor, Ofer Wolberger

There is Nothing Beautiful Around Here, Paccarik Orue

Donovan Wylie One Day Taking Photographs in Belfast, Peter Mann

Muddy Treads, Peter Sutherland

Grassland, Phil Underdown

The Constant Change, photo.circle

Firework Studies, Pierre Le Hors

Preston Bus Station, Preston is My Paris

Crime Victims Chronicle, Ray Meeks and Deborah Luster

Stay Cool, RJ Shaughnessy

Alpine Star, Ron Jude

Thrashers, Sacha Maric

May the Road Rise to Meet You, Sara Macel

9/11 Flipbook, Scott Blake

Owner of this World, Shawn Records

The Election Project, Simon Roberts

Hackney Wick, Stephen Gill

Vedove / Widows, Takashi Homma

Cathedral Cars, Thomas Mailaender

Looters, Tiane Doan na Champassak

Behind the Curtains, Tomas van Houtryve

Gomorroh Girl (second edition), Valerio Spada

Qaammaqqivaar, Verena Bruening

Empty Bottles, WassinkLundgren

Tokyo Tokyo, WassinkLudgren

Parking Garages, Willson Cummer

Kitintale, Yann Gross

Before Tomorrow, Yannik Willing

The Story of Four Generations, Yee Ling Tang

The Indie Photobook Library at the PPAC – May 18, 2013

courtesy Brandon Eddy

For the third year in a row, the Indie Photobook Library will be part of the PPAC Book Fair!

Philadelphia Photo Arts Center
4th Annual Book Fair
May 18th, 2013
12-6pm
*Free and open to the public

1400 N. American Street #103
Philadelphia, PA 19122

BOOKS:

Selected from the permanent collection of the Indie Photobook Library by MICA photo students Emily Mason, Cameron Vaughan, and Brandon Eddy, these photobooks focus on zines, the curated group photobook, a look into interior mundane life, and the altered image.

Aristotle was wrong, Simon de Reyer
Terrarum, Michael Max McLeod / Goodbye Ranch
FIRE, Lucy Helton
VOL 3: Ada Hamza. ENDLESS VACATION, Ada Hamza / Fibra Casa Editora
Thomas Albdorf / The Velvet Cell Books
destination: anywhere, Jordan Swartz / thefacelesskid
FORWARD SLASH, Matt Austin and EJ Hill / There’s Just No Telling
Natureza, Luz, Homem, Carlos Cancela Pinto / Bad Weather Press
Stil Licht, Ananda Serné / Good Morning Light
Watch Me Jumpstart, Linn Heidi Stokkedal / Pogo Books
Mediations One, Nathaniel Grann / Empty Stretch
A Romance in Pictures, Calvin Lee / Arts & Sciences Projects
Grown Down, Lindsey Castillo & Tuomas Korpijaakko
To See Here, Kerim Aytac / StraightLinePress

Smoke Bath / Seems
Incandescent, A color film zine/ Pine Island Press
Romka Magazine #6 and #7 / Joscha Bruckert
Matter, Jessica Eaton, Matthew Gamber, Bill Sullivan
Twenty/12 / Empty Stretch
The Things We’ve Seen (No. 2) / VUU
Aint-Bad Magazine, No. 2 and No. 5
The Eye is a Lonely Hunter: Images of Humankind / KEHRER Verlag
collect.give
The Collector’s Guide to New Art Photography Vol. 1 and Vol. 2 / Humble Arts Foundation

Two and Two, John MacLean / Hunter and James
Simple Matters, Yuta Nakajima
Patterns, Iciar Bravo / Bravo Publishing
five – fremantle prison, Christopher Young
FINDS, Harry Watts / Blackbox Press
In The Kitchen, Janet Delaney
A Narrow Scene of Hypothetical Circumstances, Sveinn Fannar Jóhannsson / Teknisk Industri AS
509, Pamela Pecchio / Daniel 13 Press
Testament, Peter Riesett
Tempus Incognitus, Brad Carlile
UTILITE, Ellen Korth

Manel Esclusa / Galería El Carme
Aereas, Cassio Vasconcellos / Terra Virgem
Heed, Virginia Echeverria / Naivsuper
Scenes From the Great American Non-Site, Chad Rutter / Mystery Spot Books
WTWML, Anna Bak / Pogo Books
CENSURA, Julián Barón / Editorial RM
He who wants fire must be able to bear smoke, Welmer Keesmaat / Contentement
Paris, Justin Winz / Everymansland
Love, Stephane Leonard and Martin Eichhorn / Naivsuper
The Hibernators, Ruth van Beek / RVB BOOKS
Divine Retribution, Yury Toroptsov
HIRED HAND, Stuart Bailes, Bea Fremderman, Ingo Mittelstaedt, Athena Torri / Vandret publications
75003, Gianluca Tamorri
Lone Wolf, David Schulz / The Book Bakery
Speaking of Names, Christopher Gianunzio and Jenny Tondera

Come join us and browse through the pop-up “reading room”!

FORWARD SLASH

Title: FORWARD SLASH

Photographer/s: Matt Austin and EJ Hill

Date of publication: November 10, 2012

Indie Photobook Library at FotoWeekDC, November 9-18, 2012

“A Survey of Documentary Styles in early 21st century Photobooks”
curated by Darius Himes and Larissa Leclair

FotoWeekDC
The Warner, 1299 Pennsylvania Ave NW
Washington, DC

November 9-18, 2012, 11-6pm

The Indie Photobook Library’s 3rd feature-length exhibition curated by Darius Himes (Assistant Director, Fraenkel Gallery and Co-Founder, Radius Books) and Larissa Leclair (Founder, Indie Photobook Library) will travel from Gallery Carte Blanche in San Francisco to FotoWeekDC. The exhibition titled “A Survey of Documentary Styles in early 21st century Photobooks” draws from the Indie Photobook Library collection and features 70 photobooks along with a selection of photographs from the books (Eliot Dudik, Matt Eich, McNair Evans, Erica McDonald, Michael Jang, and Lacey Terrell) selected by Gwen Lafage (Founder, Gallery Carte Blanche).

The exhibition “A Survey of Documentary Styles” looks at the “documentary tradition” through the lens of a 21st century, global photographic community in which the lines between journalism, art and the long-term documentary project have blurred, morphed and continue to feed off of each other.

The books selected for this exhibition present a range of subject matter, each coupled with a particular visual language drawn from a pool of diversity. There are books that speak a more traditional documentary language, while there are those that explicitly critique that very same tradition; there are diaristic books and titles that overlay a typological structure; other books rely primarily on found and vernacular imagery; and there are many books that borrow heavily from an art-photography storehouse. The goal of this exhibition is to survey the field before us and to foreground questions of authorship, voice, style and content.

You will not be disappointed.

 

The EXHIBITION CATALOG, designed by Patrick Aguilar of Owl & Tiger Books, can be purchased through the Blurb bookstore.

 

T H E   B O O K S :

Estaría Bien Poner un Título Aquí, Alba Yruela

Ohio, Alec Soth and Brad Zellar

Uncommon Intimacy, Amy Stein, Amy Touchette, Erica McDonald, Juliana Beasley

The Kaddu Wasswa Archive, Andrea Stultiens and Arthur Kisitu

Woman With a Camera (35mm), Anne Collier

Odo Yakuza Tokyo (second edition), Anton Kusters

Hose Variations, Bjarne Bare

BURN.01

Memory Traces, Cary Markerink

The Distance Between Us, Christopher Capozziello

Concresco, David Galjaard

27 Good-byes, Deanna Dikeman

574 Views of Johnstown, Ed Panar

Road Ends in Water, Eliot Dudik

French American Trip, Eric Tabuchi

This is Not My Wife, Erik van der Weijde

How Terry Likes His Coffee, Florian van Roekel

Sadkids Number 5: Gonerfest Edition, Geoffrey Ellis

No Destiny (Transitions-Rochester), Gregory Halpern

A Falling Horizon, Heidi de Gier

Butte, America: A Vernacular History. Vol. 1, Ian van Coller

10, in-public

Cityscapes + Birdmen, Jacquie Maria Wessels

Unmarked Sites, Jessica Auer

My Brother’s War, Jessica Hines

Found Piles & Other Topograhica, John Steck Jr.

Last Call, Judith Stenneken

CENSURA, Julián Barón

The Color of Hay, Kathleen Laraia McLaughlin

offSET, Lacey Terrell

The Ninety-Nine Percent, Mathieu Asselin

Desert Days, Matt Austin

Carry Me Ohio, Matt Eich

Ramadan in Yemen, Max Pam

See You Soon, Maxwell Anderson

A Journal of Southern History, McNair Evans

Summer Weather, Michael Jang

No Man’s Land, Mishka Henner

Geolocation, Nate Larson & Marni Shindelman

The Pier, Nils Petter Löfstedt

Gone Quickly, Noah Beil

Visitor, Ofer Wolberger

There is Nothing Beautiful Around Here, Paccarik Orue

Donovan Wylie One Day Taking Photographs in Belfast, Peter Mann

Muddy Treads, Peter Sutherland

Grassland, Phil Underdown

The Constant Change, photo.circle

Firework Studies, Pierre Le Hors

Preston Bus Station, Preston is My Paris

Crime Victims Chronicle, Ray Meeks and Deborah Luster

Stay Cool, RJ Shaughnessy

Alpine Star, Ron Jude

Thrashers, Sacha Maric

May the Road Rise to Meet You, Sara Macel

9/11 Flipbook, Scott Blake

Owner of this World, Shawn Records

The Election Project, Simon Roberts

Hackney Wick, Stephen Gill

Vedove / Widows, Takashi Homma

Cathedral Cars, Thomas Mailaender

Looters, Tiane Doan na Champassak

Behind the Curtains, Tomas van Houtryve

Gomorroh Girl (second edition), Valerio Spada

Qaammaqqivaar, Verena Bruening

Empty Bottles, WassinkLundgren

Tokyo Tokyo, WassinkLudgren

Parking Garages, Willson Cummer

Kitintale, Yann Gross

Before Tomorrow, Yannik Willing

The Story of Four Generations, Yee Ling Tang

Featured as one of the TOP TEN Things to do at FotoDC in Feature Shoot!

TRAVELING —————————————-EXHIBITION: A Survey of Documentary Styles in early 21st century Photobooks

See photos of the opening and panel discussions on Facebook.

 

Welcoming the iPL for the first time to the West Coast, Gallery Carte Blanche in San Francisco will host the 3rd Indie Photobook Library feature-length exhibition curated by Darius Himes (Assistant Director, Fraenkel Gallery and Co-Founder, Radius Books) and Larissa Leclair (Founder, Indie Photobook Library). Concurrently, an exhibition of photographs chosen from the selected photobooks will be displayed in the gallery curated by Gwen Lafage, (Founder, Gallery Carte Blanche).

The early- to mid-20th century produced a handful of photographic styles with a photojournalistic or documentary vocabulary at their core. This “documentary tradition” flourished in the latter half of the century, as photographic equipment shrunk, film speeds increased and world-wide traveled became easier and cheaper. The last decades have seen an explosion in art-photography educational programs and self-publishing, coupled with a continuing desire to explore the world, near and far. As we stand in the morning light of a new century, already some 12 years old, it is worth considering the question, What of the documentary style? When it comes to approaching the world around us—its people, places, conflicts, development and intertwined societies—how have the languages within the growing world of photography changed and shaped the conversation we have in images?

– Darius Himes

T H E   D E T A I L S:

“A SURVEY of DOCUMENTARY STYLES in early 21st century PHOTOBOOKS”
Selections from the Indie Photobook Library

70 photobooks selected by DARIUS HIMES and LARISSA LECLAIR

And limited–edition photographs by a selection of artists including ELIOT DUDIK, MATT EICH, McNAIR EVANS, MICHAEL JANG, ERICA McDONALD & LACEY TERRELL

GALLERY CARTE BLANCHE
973 Valencia, San Francisco, California
September 14, 2012 – October 18, 2012 – extended to OCTOBER 22, 2012 AND TRAVELING TO FOTOWEEK DC, November 11-18, 2012

Opening reception Friday, September 14, 2012
with a weekend full of photobook events.

WEEKEND EVENTS

Friday, September 14th, 2012 6-9pm: OPENING

Saturday, September 15th:

11.30am-2pm: Photobook Club

2.30pm-6pm: 3 panel discussions moderated by Larissa Leclair and Darius Himes:
‘The Art of Artists Book’ – Lauren Henkin, John DeMerritt, Michael Light
‘Publishing a Photobook’ – Patrick Aguilar (Owl & Tiger Books), John Steck Jr. (Make Book Blog), Dan Milnor
‘Documentary photographic styles in the early 21st century’ – Todd Hido, Eric W Carroll, Kathleen Laraia McLaughlin

Sunday, September 16th: Spend the day with Daniel Milnor & Lauren Henkin
Limited space available – Fee: $150; $130 for early registration

10am-1pm: “How to make a book that works” with Dan Milnor

Daniel Milnor, Blurb Photographer at Large, will demonstrate how to make a professional quality photography book using the Blurb publishing platform. Milnor will walk students through a start to finish process of creating a print-on-demand book, from downloading the Blurb software, defining what their book is, editing and sequencing, through design and promotion. Milnor will illustrate the range and nuances of the Blurb platform by showing real-world examples of books that work. Other topics will include choose the right cover, building an audience for a book, using the Blurb bookstore, adding eBook to your offerings and realities of making books in the print-on-demand world.

2-5pm: “Introduction to self-publishing Artist books” with photographer and bookmaker, Lauren Henkin

This lecture will provide an introduction for photographers looking to self publish artist books. By presenting potential advantages/benefits as well as the challenges of publishing, explaining types of publications, and a walk-through of her own experiences in publishing, Henkin will leave participants with the knowledge of what tools, skills, and resources will be necessary to complete a self published artist book.

SPACE IS LIMITED FOR ALL EVENTS. Please register at http://iplgcb.eventbrite.com/.

For press inquiries, please contact Larissa Leclair, contact@indiephotobooklibrary.org.

 

The EXHIBITION CATALOG, designed by Patrick Aguilar of Owl & Tiger Books can be purchased through the Blurb bookstore.

 

T H E  B O O K S :

Estaría Bien Poner un Título Aquí, Alba Yruela

Ohio, Alec Soth and Brad Zellar

Uncommon Intimacy, Amy Stein, Amy Touchette, Erica McDonald, Juliana Beasley

The Kaddu Wasswa Archive, Andrea Stultiens and Arthur Kisitu

Woman With a Camera (35mm), Anne Collier

Odo Yakuza Tokyo (second edition), Anton Kusters

Hose Variations, Bjarne Bare

BURN.01

Memory Traces, Cary Markerink

The Distance Between Us, Christopher Capozziello

Concresco, David Galjaard

27 Good-byes, Deanna Dikeman

574 Views of Johnstown, Ed Panar

Road Ends in Water, Eliot Dudik

French American Trip, Eric Tabuchi

This is Not My Wife, Erik van der Weijde

How Terry Likes His Coffee, Florian van Roekel

Sadkids Number 5: Gonerfest Edition, Geoffrey Ellis

No Destiny (Transitions-Rochester), Gregory Halpern

A Falling Horizon, Heidi de Gier

Butte, America: A Vernacular History. Vol. 1, Ian van Coller

10, in-public

Cityscapes + Birdmen, Jacquie Maria Wessels

Unmarked Sites, Jessica Auer

My Brother’s War, Jessica Hines

Found Piles & Other Topograhica, John Steck Jr.

Last Call, Judith Stenneken

CENSURA, Julián Barón

The Color of Hay, Kathleen Laraia McLaughlin

offSET, Lacey Terrell

The Ninety-Nine Percent, Mathieu Asselin

Desert Days, Matt Austin

Carry Me Ohio, Matt Eich

Ramadan in Yemen, Max Pam

See You Soon, Maxwell Anderson

A Journal of Southern History, McNair Evans

Summer Weather, Michael Jang

No Man’s Land, Mishka Henner

Geolocation, Nate Larson & Marni Shindelman

The Pier, Nils Petter Löfstedt

Gone Quickly, Noah Beil

Visitor, Ofer Wolberger

There is Nothing Beautiful Around Here, Paccarik Orue

Donovan Wylie One Day Taking Photographs in Belfast, Peter Mann

Muddy Treads, Peter Sutherland

Grassland, Phil Underdown

The Constant Change, photo.circle

Firework Studies, Pierre Le Hors

Preston Bus Station, Preston is My Paris

Crime Victims Chronicle, Ray Meeks and Deborah Luster

Stay Cool, RJ Shaughnessy

Alpine Star, Ron Jude

Thrashers, Sacha Maric

May the Road Rise to Meet You, Sara Macel

9/11 Flipbook, Scott Blake

Owner of this World, Shawn Records

The Election Project, Simon Roberts

Hackney Wick, Stephen Gill

Vedove / Widows, Takashi Homma

Cathedral Cars, Thomas Mailaender

Looters, Tiane Doan na Champassak

Behind the Curtains, Tomas van Houtryve

Gomorroh Girl (second edition), Valerio Spada

Qaammaqqivaar, Verena Bruening

Empty Bottles, WassinkLundgren

Tokyo Tokyo, WassinkLudgren

Parking Garages, Willson Cummer

Kitintale, Yann Gross

Before Tomorrow, Yannik Willing

The Story of Four Generations, Yee Ling Tang

Indie Photobook Library at Flash Forward Festival Boston June 8-10, 2012


The Indie Photobook Library is pleased to be part of the Flash Forward Festival again. This time in Boston! June 8-10, 2012

Fairmont Battery Wharf
Two Battery Wharf – 2nd FLOOR
Boston, Massachusetts 02109

Friday 11-6, Sat 10-6, Sunday 10-noon
FREE

The Flash Forward Festival was part of a milestone in iPL history as they hosted the entire library for our first pop-up exhibition ever at their Toronto festival in October of 2010. We look forward to being part of it again!

The following titles from the Indie Photobook Library archive will be on display.

Details »

Indie Photobook Library at PPAC Book Fair 2012

The Indie Photobook Library has been invited to participate again in the PPAC Annual Book Fair!

Come browse a selection of photobooks from the Indie Photobook Library archive and donate your book!
Philadelphia Photo Arts Center
1400 N. American St.
Philadelphia, PA 19122

Saturday May 5, 2012
12-6pm
Free and open to the public

A number of small presses, publishers, and artists will also be there selling books, prints, and ephemera. And Ben Lowy, Ed Panar, and Ron Jude will be signing books! More info.

This will be the iPL’s first crowd-sourced exhibition. Thank you to everyone who suggested titles from the collection. The following titles from the Indie Photobook Library archive will be on display:

Ada Hamza, Vol 3: Endless Vacation

Adria Canameras, Vol 2: Par Hazard

Aint Bad #2

Alexandra Silverthorne, MidNights

Andreas Schöning, Rooms

Andrew Bovasso, Conversations with Dan McNulty in Jersey City

Andrew Youngson, The Devils’ Garden

Aya Takada, Fragrance Petite

Bela Doka, The Sundays of Life

Bertil Nilsson, Undisclosed

Brad Rimmer, Silence: The Western Australian Wheatbelt

Calvin Lee, Restore Defaults

Carl Gunhouse, Suburban Youth; American Desire

Carl Gunhouse, Christine Rogers, Rachel Boillot, Tiana Peterson, The Promise of Real Estate

Chris Coekin, The Altogether

David Schulz, The Terrorist’s Handbook

David Underwood, Stapled Photo Grids

Deanna Dikeman, 27 Good-byes

Deborah Hamon, Girls: Fact and Fiction

Euan Forrester, Soundproof

Filipe Bianchi, India; Self-Portrait

Filipe Casaca, My Home is Where You Are

Gary Green, History

Hasisi Park

Jay Muhlin, Half Life: A Portrait of Lauren

Jeanne Friscia, A Piece of Heaven

John Pitsakis, 256 Days

Jonathan Lucas, Rorschach Test

Joyce P. Lopez, The Trouble with Birds

Kirk Carter, Curious Surfaces

Kyunghee Lee, Island

Lay Flat 01, Remain in Light

Lloyd Stubber, Scram

Marcus Bastel, But Where Are All the People

Matt Austin, Talking with Fear about Dying Tomorrow

My Own Wilderness

No Thoughts #7

Open to Interpretation, Water’s Edge

Paccarik Orue, There is Nothing Beautiful Around Here

Phillip Kalantzis-Cope, On the Plane

Robert Rutöd, Less is More

Roger Minick, American Biographics

Stacy Renee Morrison, Carl Gunhouse, Andrew Atkinson, Matt Kaelin, Emerging Photographers

Stefan Vanthuyne, From Here to Oblivion

Sumeja Tulic, Vol 1: Approaching the Encapsulated

Tammy Mercure, March 2012: Religion

Tell Mum Everything is ok

Thomas Bouquin and Pascal Amoyel, UN; DEUX